Biography
Education
B.F.A., cum laude,
University of South Carolina (1993);
M.F.A., Indiana University (1997),
Professional Certification in Photographic
Preservation and Archival Practice,
International Museum of Photography
and Film at the George Eastman House
(1998).
Ms.
Ogeneski was instrumental in the establishment
of the digital imaging facility at
the Chicago Albumen Works, a firm
specializing in the preservation of
historical negative collections and
vintage media photographic printing
processes. She served as manager of
their digital lab until the spring
of 2005. Prior to that, she worked
in film duplication and vintage media
printing. Traditionally trained as
a photographer with a specialization
in historical processes, she continues
to research digital image file output:
film and inkjet as it relates to 19th
century photographic printing processes.
In 2004 and in 2005, Ogeneski was
the recipient of Academic Specialist
Grants through the US Embassy of Mexico
Cultural and Academic Exchange Program
in which she gave a series of workshops
on photographic preservation and new
imaging technologies to participants
from Mexican cultural institutions.
She has worked at the Nederlands FotoMuseum
and participated in a 2004 Mellon
Foundation workshop in photograph
conservation at the Metropolitan Museum
of Art entitled: Pictorialist
Processes of the Photo-Secession.
She currently serves as the webmaster
of the Photographic Materials Group
of the American Institute of Conservation.
Ms. Ogeneski has taught at Indiana
University, Purdue University, and
Simon's Rock College of Bard. She
currently is a Digital Imaging Specialist
at the National Anthropological Archives,
Smithsonian Institution.
Residencies
Artist-in-Residence, Acadia
National Park, Mt. Desert Island,
ME (2001)
Artist Residency, Vermont Studio Center,
Johnson, VT (1999)
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Awards
"Research on the History of
Polish Photography," Warsaw
and Krakow, Poland, Faculty Development
Award, Simon's Rock College of Bard
(2006)
"Academic Specialist Grant",
US Embassy of Mexico Cultural and Academic
Exchange Program (2004 &2005)
"Mellon Collaborative Workshop:Pictorialist
Processes of the Photo-Secession,"
Workshop in Photograph Conservation
hosted by the Metropolitan Museum of
Art and funded by the Mellon Foundation
(2004)
Polaroid Photographer's Award,
Cambridge Art Association (1999)
Guest Scholar, International
Museum of Photography and Film at the
George Eastman House (1998)
Doctoral Student Grant-in-Aid of Research,
Indiana University (1997)
Lectures
and Workshops
"Digital
Images: Working with Historical Negative
Collections," Tutorial Program,
Archiving 2006, Imaging Science and
Technology Conference (IS&T), Ottawa,
Canada (2006)
"Artist's Lecture,"
Casa Lamm, Mexico City, Mexico
"Applications in a Preservation
Environment: Digital Scanning and Capture,"
(Mexico) (2005)
"A Workshop and Investigation
into the Nineteenth Century Silver-Based
Gelatin Chloride Printing-Out Paper
Process," (Mexico) (2005)
"Recent Developments and Restructuring
of the Photographic Materials Group
Website," AIC annual Meeting,Portland,
Oregon (2004)
"LVT Film Output as a Preservation
Medium," co-research with
Doug Munson, AIC Annual Meeting, Portland,
Oregon (2004)
"Gelatine-Chloride Printing-Out
Paper and the Albumen Print Process:
A Workshop and Investigation into Two
19th Century Silver-Based Photographic
Processes," (Mexico) (2004)
"Scanning of Historical Glass
Plate Negative Collections,"
(Mexico) (2004)
"Art-in-Nature Day,"
Mt. Desert Island Elementary School,
Southeast Harbor, ME (2001)
"Photography Workshop co-taught
with Jorge Otero," Charleston,
SC (1995) |
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